Small figurative sculpture in bronze, Italy, 1950s. The primitivist work has been made as a model (the surface was not perfectly polished and refined and has been carefully restored) for a sculpture of big dimensions to be realized in marble.
Marcel Breuer, Isokon Chaise Longue, England, 1969 The original version in metal, was designed 1932. Isokon, the English company, specialized in the production of steam bent wood, Breuer started to work for in 1936, realized in the same year the wooden version that was made until
Tim Orr, black glazed ceramic sculpture, France, late 1970s. The sculpture is signed underneath.
Set of three glazed ceramic vases, handpainted with a black graphic motive on red background; France, 1970s
TL59 table by Afra and Tobia Scarpa, Italy, 1975. The base was realized in a metal alloy with a bronze patina. The smoked glass top has a sanded frame and is fixed to the base with three circular screws.
Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered works, that were made as models for big scale sculptures to be realized in marble.
"Musa da Eloquenza", Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n. 4) works, that were made as models for big scale sculptures to be realized in marble.
Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered works, that were made as models for big scale sculptures to be realized in marble.
Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n.79) works, that were made as models for big scale sculptures to be realized in marble.
Pair of armchairs with high back rest in beech and fabric, Italy, early 1950s. The original wooden structure has been reupholstered with a black and white wool and silk fabric.