Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n. 125) works, that were made as models for big scale sculptures to be realized in marble.
"Flor da Amazonia", Domenico Calabrone, abstract, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n. 16) works, that were made as models for big scale sculptures to be realized in marble.
"Precolombiana", Domenico Calabrone, abstract, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n. 3) works, that were made as models for big scale sculptures to be realized in marble.
"Precolombiana", Domenico Calabrone, abstract, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n. 82) works, that were made as models for big scale sculptures to be realized in marble.
"Musa da Eloquenza", Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n. 4) works, that were made as models for big scale sculptures to be realized in marble.
Domenico Calabrone, abstract, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n.13) works, that were made as models for big scale sculptures to be realized in marble.
Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n.2) works, that were made as models for big scale sculptures to be realized in marble.
Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered works, that were made as models for big scale sculptures to be realized in marble.
Domenico Calabrone, bronze sculpture on travertine, Brazil, late 1960s. The sculpture is part of a series of signed and numbered (n.79) works, that were made as models for big scale sculptures to be realized in marble.
Pair of armchairs with high back rest in beech and fabric, Italy, early 1950s. The original wooden structure has been reupholstered with a black and white wool and silk fabric.