Ashtray
In
Max Ingrand for Fontana Arte, Glass Ashtray, Italy, between 1952 and 1955 (see the catalogue of the "Salon des artistes dècorateurs de 1955").
Max Ingrand for Fontana Arte, Glass Ashtray, Italy, between 1952 and 1955 (see the catalogue of the "Salon des artistes dècorateurs de 1955").
Vide-poche in enamelled stoneware by Michel (1935-2020) and Nicole (1937-2012) Anasse, respectively sculptor and ceramist, who settled in Vallauris, France, in the late 1950s. They produced utilitarian ceramics with clean lines and shaped pieces in enamelled stoneware, fired over a wood fire in their Les Issarts
Studio 6.A.M. organic shaped glass vase, manufactured in Murano, Italy, 2021. Each piece is created individually: the molten glass, colored and mixed with marble powder, is poured into a disposable mold specially made of wood and metal. Each mold can be used only once: all objects are
Carlo Nason for Nason Moretti, Murano, set of multicolour etched glass vases in form of bottles, in the style of Giorgio Morandi, Italy, 1960s.
Pair of Book Ends in faceted glass and plated nickel, in the style of Fontana Arte. Italy 1960s
Franz Sartori, circular multi layer mirror (clear, copper, bronze) for Cristal Art, Italy, 1960s The copper circle shows heavy signs of aging. Literature: Alaimo Davide, Cristal Art, Regesto Culturale Italiano Editore, 2021, p. 103
Alfredo Barbini (1912-2007) for Barbini Murano, pair of four-leaves clover vases in clear glass, Italy, early 1970s.
'Bar Excelsior', ashtray by Ludovico Diaz de Santillana in lattimo (white) and amber glass for Venini, Italy, 1967
Presse papier in massive clear glass with white 'Murrine', Murano, Italy, late 1960s.