Vase
In
Guerrino Tramonti, enamelled, double facade, sculptural ceramic vase vase/bowl in chartreuse and white, signed and dated underneath by the artist, Faenza, Italy, 1967.
Guerrino Tramonti, enamelled, double facade, sculptural ceramic vase vase/bowl in chartreuse and white, signed and dated underneath by the artist, Faenza, Italy, 1967.
Pietro Chiesa, circular box in wood with sculptural glass lid. Fontana Arte, Italy, 1948ca. The box is marked with the FX Fontana Arte monogram. Temporarily on loan for the exhibition "Fontana Arte. Vivere nel vetro", Le Stanze del Vetro, Venice.
Alfredo Barbini for VAMSA, Murano, Italy, 1938. Bowl/ashtray in "Sommerso" glass with green bubbles.
"Ovoid" bowl/ashtray designed by Per Lütken for the Danish glass manufacturer Holmegaard in the 1960s. The bowl is signed and numbered underneath.
Max Ingrand for Fontana Arte, Glass Ashtray, Italy, between 1952 and 1955 (see the catalogue of the "Salon des artistes dècorateurs de 1955"). Temporarily on loan for the exhibition "Fontana Arte. Vivere nel vetro", Le Stanze del Vetro, Venice.
Vide-poche in enamelled stoneware by Michel (1935-2020) and Nicole (1937-2012) Anasse, respectively sculptor and ceramist, who settled in Vallauris, France, in the late 1950s. They produced utilitarian ceramics with clean lines and shaped pieces in enamelled stoneware, fired over a wood fire in their Les Issarts
Carlo Nason for Nason Moretti, Murano, set of multicolour etched glass vases in form of bottles, in the style of Giorgio Morandi, Italy, 1960s.
Pair of Book Ends in faceted glass and plated nickel, in the style of Fontana Arte. Italy 1960s
Franz Sartori, circular multi layer mirror (clear, copper, bronze) for Cristal Art, Italy, 1960s The copper circle shows heavy signs of aging. Literature: Alaimo Davide, Cristal Art, Regesto Culturale Italiano Editore, 2021, p. 103